I think the real turn into progwank was Heritage.
oh for sure, fuck that album, but damnation was definitely the beginning of the end, and I definitely blame SW (I love SW on his own but get out of my metal)
I think the real turn into progwank was Heritage.
IDK, I think Damnation/Deliverance honed Opeth's dynamic contrast. It's no "Sons of Northern Darkness", but it's definitely Opeth, just more so.oh for sure, fuck that album, but damnation was definitely the beginning of the end, and I definitely blame SW (I love SW on his own but get out of my metal)
IDK, I think Damnation/Deliverance honed Opeth's dynamic contrast. It's no "Sons of Northern Darkness", but it's definitely Opeth, just more so.
I don't think there would have been a Ghost Reveries without D&D, which is one of my favorite Opeth albums.
TLDR: Opeth have always been prog. It's just the last few that they went full retard.
There's so much material out there that's already that, though.ghost reveries had some very cheesy melodies to me and I could never get past that to really get into it, it felt like pop verses in a couple spots. my favourite work of theirs is still the stuff that sounds like it was recorded in a swamp with mikael screaming into a potato though.
DigitallyNew Tool album out today, y'all.
I enjoy the digitals.Digitally
Anyone that want a vinyl copy has to wait until like november from what I hear
Not that Im gonna get it
Digital is fine, Ive no problem with itI enjoy the digitals.
I'm in favor of record pressings of albums mastered in the time when the mastering engineer had to worry about things like noise floor. I have good copies of DSoTM, 1, 2, 3, 4, and The Song Remains the Same, but I don't find myself longing for more records, when modern masters only have to worry about clipping (in a non-wall-of-sound context, whose masters I hate regardless of medium).Digital is fine, Ive no problem with it
I just like my vinyls is all